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Promoting satire: A large billboard for Saad Hajo's cartoon exhibition on the facade of Damascus' National Museum.
In a monumental shift for the Middle Eastern art scene, the National Museum of Damascus recently hosted a groundbreaking exhibition that would have been unthinkable just a short time ago. Titled "President Without Reason… and Without Shame" (a play on the Arabic proverb "laughing without reason is a lack of manners"), the showcase features the satirical works of renowned Syrian artist Saad Hajo.
A Historic Milestone
This exhibition marks the first time a national museum in the region has opened its doors to a satirical collection explicitly critiquing a former head of state. Held in the museum's prestigious Gold Hall, the event drew a significant crowd, including cultural figures and international diplomats like Michael Ohnmacht, the EU Charge d'Affaires, who praised the exhibition as a powerful tool for "documenting memory".
The Art of Defiance
For Saad Hajo, who lived in exile for over twenty years, this debut in his birthplace is deeply personal. The collection serves as a visual "chronicle of a tyrant," capturing the shifting expressions of Bashar al-Assad through various stages of his rule from his initial denial of the uprising and the use of chemical weapons to his eventual flight to Moscow.
Hajo’s work uses humor as a weapon to dismantle the "heavy burden" of the past 54 years of the Assad family's rule. As Sana Yazigi, Director of the Creative Memory initiative, noted during the opening: "The artist carries sadness while drawing these satirical caricatures, yet his goal is to shield us from grief... We finally have the right to laugh together".
New Album Release
Coinciding with the exhibition, a new caricature album of the same title has been released by Mamdouh Adwan Publishing House. This album compiles Hajo’s sharpest critiques, ensuring that the visual history of this political transformation is preserved for future generations.
By hosting this event, the National Museum of Damascus, situated in the world's oldest continuously inhabited capital, bridges ancient history with a new era of freedom of expression.

This compelling satirical album, offers a sharp visual critique of Bashar al-Assad.
The book is the culmination of a personal vow by Hajo to draw the leader every day, transforming his features, gestures, and expressions into satirical lines that bridge his physical appearance with his inner life.
The 104-page, full-color A4 volume features approximately 170 cartoons executed with a mastery of Chinese ink, pastels, and digital art.
Beyond the static cartoons, the book integrates modern technology through ten QR codes that link to short 2D and 3D animated films, providing a multi-dimensional satirical experience.
The album includes introductory essays by renowned journalists Sayed Mahmoud and Rana Qarout. Published in 2026 by Mamdouh Adwan Publishing House in collaboration with Creative Memory, this work serves as both a historical record and a defiant artistic statement.
The book is available in Arabic and can be ordered online.

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Commissioned by the Culture and Education Community of Linköping Municipality, this series of paintings is permanently displayed at Rosendalskolan. The project was developed to enrich the school environment through visual art and to create a space that encourages creativity, curiosity, and dialogue.
Through color, form, and visual storytelling, the artworks foster a warm and engaging atmosphere where students, teachers, and staff can interact, reflect, and imagine together. The paintings aim to support a welcoming educational environment while opening possibilities for conversation, interpretation, and shared experience.
Commission Linköping Municipality
Location Rosendalskolan, Linköping, Sweden
Year 2025

THEATRE ACTING
Outside the Country – Inside the Country Monodrama,
Concept and Performance:
Saad Hajo
Written by:
Abdulwahab Alhammadi
Visual Design and Direction:
Nanda Mohammad
A major success for the premiere in Rawabet Art Space, Cairo, Egypt | 2025
My artistic participation as a guest of honor at the Cairo Jazz Festival (CJF), the 17th edition, dedicated to Ziad Rahbani.
On the passing of my dear friend, Lebanese musician Ziad Rahbani, inspired by the title of his famous song “Sallim Li ʿAlayh” (“send him my regards”), sung by his legendary mother Fairuz a greeting to his father, the great Assi Rahbani, in heaven.
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